Our cognitive functions are embarrassingly predictable. When letters appear in sequence, we assume meaning exists—even
when there's none.
That's why designers in the world go to the trouble of writing in English what they wrote in Japanese, or suddenly
start using French, or Chinese, Korean, or even Cyrillic as meaningless motifs. Well, actually, we think, "What a cool
!!!!!!" with that. We think, "What a cool ".
Even if there is not a single byte of information there. I've been
disappointed many times when I read it and find it doesn't make any sense at
all. I think that's good. I think that's good. Because we can't help it, we
have an illusion of value. When you get right down to it, architectural styles
(Art Nouveau, Rococo, Gothic, etc.) are completely an extension of such
things. It's just decoration! That's fine, but, hey, if you're going to put
some kind of text there, you might as well do something about it. I know it's
your job, but ...... something, it's sad. I think it's sad, I don't know.
......
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新着テキスト↓
(2026-05-01)
もっとみる⤴
酔える姿はろくでなし(4月第4週)
最近どう?
男5人で上伊那ぼたんを垂れ流しながら酒を飲むなど、その活動は多岐に渡る。
OPの美しく整った人間(5人)が、高くていい酒をグラスに注ぎ、テーブルに座ってで飲んでいるのに対して、
それを見ているボサボサな我々(5人)は、チューハイロングを缶のまま、あぐらをかきながら床で飲んでいて、
そのあまりにも美しい対比に涙がつつと頬を伝った────